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EXCERPTS FROM ARTIST INTERVIEW:DRPA: So what’s the next piece you have for us?C-Note: DianaDRPA: Very beautiful, now what is the story behind that?C-Note: This is “Colored Girl,” Part II, or the sequel. “Colored Girl,” was done in 2009, in 2016, I did “Diana.” The impetus is that I’m starting to be in galleries and museums. Probably patronized by white people, with 50% of the population being women, probably women, and older women. Who sees their beauty? I’ll never forget a conversation I saw on the CBS Morning Show with Charlie Rose, Norah O’Donnell, and Gayle King. Nora, was complaining about being dog whistled, or cat whistled at by men. Gail had a different take. She did not find that behavior offensive at all, in fact, wish guys would do that to her. So that set off an epiphany. I mean who’s cat whistling the grandmothers? Because that’s what Gayle King is. You read sex for people in their eighties is still wanted and desired. So we don’t stop being sexual and wanted because of our age. America is much criticized for being a youth culture; so I like to buck against the norms, root for underdogs. “Diana,” was created for the white, mature, woman, who may patronize the galleries and museums that my work may be in. It is my conversation with that audience, with that patronage, that “I” see you. That “I” see the beauty in you, and that I pay homage to that beauty. The piece was originally to be called “Diana A Roman Goddess,” but a friend of mine in here, who is dating a wiccan, she knew Diana to be a goddess. I had added the Roman Goddess part because I was fearful if I just use the name Diana it will be construed with “Princess Diana,” Lady Diana Spencer Princess of Wales (1961-1997), but since the Wiccans know Diana to be a goddess, simply Diana was the preferred titled.
