Evan Bradbury hopes his Downtown Madison art gallery will seed the development of more independent art galleries in the city.
There’s the James Watrous Gallery located inside the Overture Center for the Arts. And there are always exhibitions at the Madison Museum of Contemporary Art and UW-Madison’s Chazen Museum of Art.
But few independent galleries remain in the heart of Downtown, most having moved out due to high rents.
Evan Bradbury is hoping to see more independent art galleries return to Downtown. His Carnelian Art Gallery opens in March at 221 King St.
Bradbury is hoping to change that with his Carnelian Art Gallery at 221 King St., most recently home to an AlphaGraphics franchise. The gallery, set for a grand opening in March, includes 1,900 square feet of gallery space and 2,000 square feet of studio space, Bradbury said.
Although many of his acrylic paintings adorn the walls now, he plans to display works from a network of 14 local artists, from painters to pottery makers to jewelry makers. Pieces would range from about $200 to a few thousand dollars and would only be sold on-site, not online.
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Bradbury said he was “still working out the best approach” for the studio space, including offering space at a reduced rate as well as hosting classes and workshops. He is also entertaining the idea of having an artist cooperative occupy the space, as a group of nine artists recently did on the East Side.
A lounge area at Carnelian Art Gallery. The location has 1,900 square feet of gallery space and 2,000 square feet of studio space.
‘We want that local flavor’
The city used to have many more art galleries Downtown, said Karin Wolf, Madison arts and culture administrator. But many of them closed during the Great Recession, she said, and haven’t come back because “the price of rental space in Madison is really, really high.”
Bradbury declined to say how much he is paying to rent his Downtown space, although he has been successfully self-employed as an artist for several years, adding that his pieces retail for between $400 and $1,500.
From 2012 to 2018, Bradbury owned and operated Bright Red Studios on Ingersoll Street. That closed as Bradbury encountered a battle with a brain tumor, he said.
But “proximity spurs competition,” Wolf said. “If we support him and his model is successful, it would be great. (Galleries) tend to cluster. We want that local flavor (for Downtown).”
Two blocks off Capitol Square, Carnelian Art Gallery has taken over the space formerly occupied by an AlphaGraphics franchise.
Getting creative
Margaret LeMay, founder and owner of Marzen Gallery on Atwood Avenue on Madison’s East Side, said she considered moving Downtown within the last two years.
“The space I looked at was across the street from MMoCA,” LeMay said, but the rents were too high.
For galleries to survive these days, LeMay said, they usually must have “some ancillary business that supports them, like a frame or gift shop” or, in her case, an art consulting business. Having an online presence in the wake of the COVID-19 pandemic has helped her business, too.
A work space at Carnelian Art Gallery. Bradbury said he hopes to host classes and workshops in the space, or perhaps bring in an artists cooperative.
Jack Garver, who formerly owned and operated Fanny Garver Gallery for 43 years on State Street until it closed in 2015, said moving to South Bedford Street was due to changes in the art market at the time and a desire to greatly decrease rent expenses.
“During my last few years on State Street, I saw my online sales grow dramatically,” Garver said. “I was an early adapter among galleries having a website. In hindsight, I’m so glad I did this. Downtown is not what it once was.”
Bradbury said, “Above all else, the idea is for it to contribute to and serve Madison’s art scene. And the best way to do that is by listening to what this scene wants.”
Photos: Nick and Katherine Engelbert’s Grandview near Hollandale
A concrete depiction of Snow White and the Seven Dwarfs, created by folk artist Nick Engelbert, shares the grounds of Grandview, the home he shared with his wife Katherine in the Iowa County town of Moscow.
Artifacts placed in concrete by visiting art students share the wall of a workshop at Grandview, the former home of Nick and Katherine Engelbert in the town of Moscow in Iowa County. Recently added to the state Register of Historic Places, the home and grounds of the property feature a wide array of Nick’s fanciful artwork, including sculptures made of cement, glass, tile and pottery as well as late-career paintings.
The view from the narrow kitchen window of Grandview, the former home of Nick and Katherine Engelbert in the town of Moscow.
Broken elements of sculptures created by folk artist Nick Englebert stored in the basement after being tagged and catalogued by conservators at Grandview, the home he shared with his wife Katherine near Hollandale.
A concrete sculpture of a viking mariner is displayed on the grounds of Grandview, the former home of Nick and Katherine Engelbert in the town of Moscow in Iowa County.
Rick Rolfsmeyer looks at the decorative porch of the former home of Nick and Katherine Engelbert in the town of Moscow near Hollandale. Known as Grandview, the property was recently added to the state Register of Historic Places and features a wide array of Nick’s fanciful artwork, including sculptures made of cement, glass, tile and pottery, as well as late-career paintings. Rolfsmeyer and his wife, Marilyn, are neighbors to the property and the principal overseers of the museum.
Marilyn Rolfsmeyer walks out of the farmhouse at Grandview near Hollandale. Nick and Katherine Engelbert lived in the farmhouse for nearly 40 years, where Nick created art, most of it using concrete, shells, shards of glass and pottery.
Nick Engelbert is seen in a vintage photograph at Grandview, the home he once shared with his wife Katherine in the town of Moscow. Nick was a dairy farmer but in the 1930s began producing whimsical art.
Photographs of Nick and Katherine Engelbert are displayed inside Grandview, the home they once shared in the town of Moscow, Wis. Wednesday, Jan. 3, 2024. Recently added to the state Register of Historic Places, the home and grounds of the property feature a wide array of Nick’s fanciful artwork, including sculptures made of cement, glass, tile and pottery as well as late-career paintings. Reflected in the display are Rick and Marilyn Rolfesmeyer, nearby neighbors and overseers of the property. JOHN HART, STATE JOURNAL
Grandview Museum overseers Marilyn and Rick Rolfsmeyer converse near several paintings by folk artist Nick Engelbert in the home he once shared with his wife, Katherine, in the town of Moscow, Wis. Wednesday, Jan. 3, 2024. Recently added to the state Register of Historic Places, the home and grounds of the property feature a wide array of Nick’s fanciful artwork, including sculptures made of cement, glass, tile and pottery as well as late-career paintings. JOHN HART, STATE JOURNAL
Marilyn Rolfesmeyer, who with her husband Rick Rolfesmeyer oversees Grandview, the former home of Nick and Katherine Engelbert, walks through the basement of the home in the town of Moscow, Wis. Wednesday, Jan. 3, 2024. Recently added to the state Register of Historic Places, the home and grounds of the property feature a wide array of Nick’s fanciful artwork, including sculptures made of cement, glass, tile and pottery as well as late-career paintings. JOHN HART, STATE JOURNAL
A concrete depiction of Uncle Sam driving an elephant and a mule is displayed on the grounds of Grandview, the former home of Nick and Katherine Engelbert in the town of Moscow, Wis. Wednesday, Jan. 3, 2024. Recently added to the state Register of Historic Places, the home and grounds of the property feature a wide array of Nick’s fanciful artwork, including sculptures made of cement, glass, tile and pottery as well as late-career paintings. JOHN HART, STATE JOURNAL
A concrete and glass tile eagle is displayed on the grounds of Grandview, the former home of Nick and Katherine Engelbert in the town of Moscow.
A concrete sculpture of an organ grinder welcomes visitors to the grounds of Grandview, the former home of Nick and Katherine Engelbert in the town of Moscow, Wis. Wednesday, Jan. 3, 2024. Recently added to the state Register of Historic Places, the home and grounds of the property feature a wide array of Nick’s fanciful artwork, including sculptures made of cement, glass, tile and pottery as well as late-career paintings. JOHN HART, STATE JOURNAL
Grandview, the former home of Nick and Katherine Engelbert in the town of Moscow.
Marilyn and Rick Rolfsmeyer have been involved with Grandview since it was donated in 1997 by the Kohler Foundation to the then-newly formed Pecatonica Educational Charitable Foundation. The nonprofit, led by the Rolfsmeyers, oversees the property, which includes a mural painted by Nick Engelbert in the dining room of the Iowa County farmhouse.
A piece of a concrete sculpture created by folk artist Nick Englebert is tagged with identifying notes by a conservator at Grandview, the home he once shared with his wife Katherine in the town of Moscow.
A whimsical concrete depiction of a hobo sits below a tree filled with monkeys that Nick Engelbert said represented his family tree. The sculpture is one of more than 20 that stand in the front yard of the artist’s former home near Hollandale.
The “Three Swiss Patriots” is Nick Engelbert’s concrete interpretation of the three founding fathers of the Swiss Republic. The tableau stands along Highway 39 just west of Hollandale in the front yard of Grandview.
Artifacts placed in concrete by visiting art students share the wall of a workshop at Grandview.
Detail of a wall painting by folk artist Nick Engelbert inside Grandview, the home he shared with his wife Katherine in the town of Moscow.
Marilyn Rolfsmeyer, who with her husband Rick Rolfsmeyer oversees Grandview, the former home of Nick and Katherine Engelbert, pictured in the living room of the home in the town of Moscow, Wis. Wednesday, Jan. 3, 2024. Recently added to the state Register of Historic Places, the home and grounds of the property feature a wide array of Nick’s fanciful artwork, including sculptures made of cement, glass, tile and pottery as well as late-career paintings. JOHN HART, STATE JOURNAL